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♯new ♯2019checklist ♯avantgarde ♯spokenword ♯experimental ♯jazz ♯poetry ♯eclectic ♯soundscape 'Coin Coin Chapter Four: Memphis' is so evocative, you'll swear you've developed Synesthesia powers-- icy strings punctuate flashes of light, some woodwinds drag a horizon-matched dread, and brass instruments spill and weave like some kind of memory-projector that self-destructing as it plays sequences out of order. Robert's segments of poetry act as landmarks, or as she describes as “panoramic sound quilting.” Overall, I have invalid complaints, as I just wanted more story elements rather than long spans of beautiful texture. (That's like complaining there's too many abstract paintings in a gallery).