the mars voltathon, pt. 4: This album is off the fuckin walls, man. All the weird aspects of their previous albums has been turned up to 200% and the instrumentation is not only incredibly well done, but just batshit crazy, and I love every second of it. Even the people associated with making this album think it's cursed, and that's just one of the many astounding things about Bedlam in Goliath.
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